Current Song List

TitleLyricsMelodyVocalGenreScoreDescription/Notes
A Thin Stretch of BlueClick for LyricsYesMalePop, Folk, CountryYesSomber societal reflection stemming from Ferguson and Baltimore riots. Alan Jackson style vocal with simple piano and guitar arrangement. Sample topline available.
Ain’t Worth Keepin’Click for LyricsYesFemaleCountry, FolkNoUp-tempo female country. Needs high-energy, loud, unapologetic vocal.
Blake Shelton’s HairClick for LyricsYesMaleCountry, HumorPartialYes, it’s a joke. But a well-structured humor piece for traditional country male vocal. Good cadence and flow. Written in Bb; ready to record.
Box of Pretty ThingsClick for LyricsYesFemaleStage/ScreenPartialA delusional woman recounts and excuses a life of failed relationships.
CrayonsClick for LyricsYesTBDStage/ScreenNoSocial commentary on a woman who prefers the nightlife over her young child. Semi-free verse but flows and holds together really well. Very clear imagery using 14 actual color names from a basic Crayola crayon set.
Faster Than the Speed of SoundClick for LyricsNoMaleFolk, CountryNo
Getting Over YouClick for LyricsYesMaleCountry, Blues, HumorNoRaunchy bar room country blues, needs no explanation.
Good Book and a Better WhiskeyClick for LyricsYesMaleCountry, FolkNoWell-written philosophical perspective with a good chorus hook.
Ink and Bottle LiesClick for LyricsPartialMaleCountryNoDescriptive look at a veiled heroin problem in a small country town.
Judgment Day AgainClick for LyricsPartialMaleCountry, AmericanaNoInherited southern guilt.
Just Stay DownClick for LyricsPartialMaleTBDNoBoxing metaphor for a testy relationship. Doesn’t convey/condone violence.
Last Car on the RoadClick for LyricsPartialMaleFolk, CountryNoEnd of the line relationship song. Long chorus but moves well with good visual emphasis. Silver Award winner at 35th annual MASC awards.
Maybe YouClick for LyricsYesMalePop, R&BNoR&B/pop drone, moves well with the current melody but only with an emotional interpreter at the mic.
Midlife, No CrisisClick for LyricsPartialMaleCountryNo
More Like YouClick for LyricsPartialMaleFolkNoSome good phrasing here. Uptempo. Honorable mention at 35th annual MASC awards.
My MemoryClick for LyricsPartialMaleCountryNoA metaphoric stalking by a memory she thought she’d outran.
One NightstandClick for LyricsYesMaleCountryNoCheesy wordplay for the title but the lyrics back it up – it’s about the two things sitting on that one nightstand and the choice he can’t seem to make.
Rising TideClick for LyricsYesMaleFolk, Stage/ScreenNoGood folk song about fate. Excellent verse phrasing and cadence.
The Time BetweenPartialFemaleFolkNoVery brief piece about two little girls confused by divorce and custody fights. Told by one of the sisters.
Too Many Starts at OneClick for LyricsPartialMaleCountryNoInherited alcoholism is pondered, confronted, conquered.
Used to BePartialFemaleCountry, FolkNoHer man ain’t getting his way any more. Needs a raucous female voice.
We Didn’t Die for ThisClick for LyricsPartialMaleCountry, AmericanaNoLong-dead soldiers lament what’s become of the country for which they gave all. Good simple verses, layered chorus needs to hit hard.
What Nobody DoesClick for LyricsChorus SampleFemaleStage/Screen, SpiritualYesSpiritual reflection for strong female voice; someone who really understands contrast. Quiet, unusual AABBBCC verse punctuated with sharp, building chorus and double bridge. Breakthrough song for a good amateur. Honorable mention at 35th annual MASC awards.
What’s Inside of MeClick for LyricsYesFemaleStage/Screen/PopNoRationalizing suicide.
You Can Have AustinClick for LyricsYesMaleCountryPartialCliche Texas leaving lamentation but decent phrasing makes this a solid piece for a good amateur.